Smokey and the Bandit: 9&10 or "Back in My Day, Television Was Called Books!"

Reading Chapter 10 immediately brought this old image to mind:

Sure, we non-math people laugh and exchange smug glances while the math people fume silently, which is always fun, but there's a core issue here of lacking real-world connections. We have to be ready for the inevitable hand-raising and the "Teacher! When are we gonna use this in real life?" and if we don't give the students satisfactory answers we get smug responses such as the one above. Of course, we can't expect our students to take "you'll use it, trust me", on pure faith alone...which is why I really liked Chapter 10!

Inquiries not only give students those desperately-needed real-life connections (there's nothing more saddening and real than trying to plan a budget), they give the students some flexible in their learning too. Inquiries also harken back to UbD--looking at those big ideas and big questions--only this time, it's the students deciding what makes a 'big' idea. I can get behind inquiries!

The only real question I had about Chapters 9&10 were what to do about shy/anxious/struggling readers, but upon flipping to Chapter 11, it looks like my question will be answered for me.

There's not much I can say regarding Chapter 9 except that I really want one in my own classroom now.

"The student playing the president's aide immediately improvised mixing cocktails, and all three clinked imaginary glasses in a comic tableau of old-boyism" (250).

I love it when students have a sense of humor about things.

I also like that Smokey and the Bandit continue to stress how important it is model behavior, by, well, modelling it for us. In this case, book clubs! The authors don't just tell you "yes, book clubs good", they show you how to model the behavior of the book club, how to divvy up tasks and monitor students, and how to get them engaged in their text without spoonfeeding them the answers. And that's something I really appreciate.

BOOKS.

Smoky and the Bandit: 5&8

In honor of a lengthy and descriptive chapter on note-taking and reading strategies, I would like to introduce you to the worst note-taker in the world:

Me.

'Tis true, although I accept the title of World's Worst Note-taker humbly. My notebook is a teacher's worst nightmare--full of half-finished doodles and random asides, ALL CAPS yelling and colorful language. While it makes sense to me--I know what I mean when I say "Nero did a graceful acrobatic flip off the deep end"--it's totally incomprehensible to anyone else. While this method-that's-not-really-a-method works for me because I've used it for so long and it's what I'm most comfortable with, I don't want my students to follow my example. I was never taught how to "take notes" in school, and as such I don't take cohesive notes. Good note-taking strategies and reading skills are something I feel is vital to impart onto students, if only because I know that referring to Nero "Neckbeard Rockstar" constantly in your notes is not a wise practice.

Exhibit A: ♫ What do you do with an Emperor like Tiberius ♫ followed shortly by ALL CAPS excitement over a dead man. (Actually the cleanest page in my notes)

There were a number of reading strategies introduced in quick succession in Chapter 5, so I've made note of my personal favorites/the one that stood out to me the most. In addition, I'd like to note that we as teachers must "Model, model, model. Keep modelling, even when you're sick of modelling". (92). Even if we don't enjoy taking notes the more traditional way (see Exhibit A), if we don't give our students at least options we're doing them a disservice.

Coding/Annotating: Probably my favorite method of actually note-taking, and certainly not because I get to doodle officially. I find that coding gives you a sense of what to look for, and annotating allows you to become more critical and combative within the text--you're always looking for main ideas, connections, and conflicting ideas.

Frontloading with images: History texts are dry. I'll admit this right out. As a history major, there are just some texts that are just so bone-dry it drives me to tears, so image how bored my kids are going to feel. In order to really understand succeed in history, I firmly believe one needs an empathetic connection with history's major players and their struggles. It can be as simple as putting a face to a name, or providing images of slave markets before reading an excerpt from The Interesting Narrative of the Life of Olaudah Equiano, a slave autobiography. As they say, a picture is worth a thousand words, and nowhere is this more true than in history. 

Prereading quiz/discussion: Perhaps not a quiz as Smokey and Zemelman suggest (we don't want to scare the kids), but I think a pre-reading discussion or debate about 'big ideas' the text will introduce will get the students going, and they'll have their own opinions as well as that of their classmates in mind as they read.

Think-pair-share: I've always found this effective. Share what you've learned with a classmate, and then out to the class. Shy students are more likely to share after receiving some private validation--I know I was. (Yes! I was the shy one! Shocking, isn't it?)

Tweet the Text: "Kids are texting anyway"--all right, that made me laugh. Humor aside, when teachers incorporate modern technology into lessons the students perk right up, especially if it allows them to get creative. I still remember how much fun I had making a Facebook profile for Frankenstein's Monster in 12th grade English!

Clustering and Mapping: Excellent for those post-reading "big ideas". History has a lot of big ideas, most of them intersecting. It's good for visual learners, and as a reminder to other students too.

Chapter 8 was marginally less extensive than Chapter 5 (marginally), so I'll be quick with this. Suffice to say that I'm relieved that Smokey and the Bandit take independent reading seriously--I always treasured independent reading time in high school, because it was so rare and so precious. However, during my observations from 406, the class I observed did set aside time for independent reading, so it's nice to see it creeping back into classrooms, slowly but surely.

On more thing. Smokey and the Bandit mention one-on-one conferences as a good way to keep tabs on students, but I think that it helps establish an empathetic bond too. Students like it when you show interest in their interests, and ask them questions about it!

D&Z: 6 and 7

Random aside before we began, please tell me I'm not the only one who automatically finishes the authors' names as "Smokey and the Bandit" and not "Smokey and Zemelman".

All right, back to work.

I really, really enjoyed Chapter 6. We spend so much time agonizing over the 'right' textbook, but what do we do with it once we have it? Now that's a question that needs answering. D&Z don't give any 'concrete' answers to the question, and they acknowledge that different teachers have different extenuating circumstances. Probably my favorite thing about this chapter was the exploration of different textbook options, and how a textbook can be divvied up depending on how the teacher makes use of it--divide it into smaller readings? Make reading a community task? Focus on the vocabulary? Jigsaw it? They're all valid options, and as I was reading I was imaging myself in my own classroom, putting the different activities to work (in my head, of course, all my students were eager learners...but that's a discussion for further down).

There's also the option of not using the textbook at all, as Jeff James did. Although, I have to wonder how he got away with, and what he'll do if new regulations force the textbook on him. In addition, every writer has their own biases--does James have someone editing his notes for him? Perhaps it doesn't seem all that necessary in a more objective field like science or math, but if you were to try something like this in history, you would have to be very careful about what information you are imparting onto your students. I, for one, would not be very kind to Thomas Jefferson.

In addition, getting your hands on a 'better' textbook isn't as easy as Smokey and the Bandit are making it out to be. I know that the main idea of that section was to be selective and attentive to what textbooks you're using, but Smokey and the Bandit make it sound like you can waltz into your classroom with 30+ copies of new textbooks at the ready.

Regarding Chapter 7...

"In schools where teachers explicitly taught social skills of small-group interaction...the students gained an average of 11 percent on both their course grades and the high-stakes standardized tests given in their state..." In other news, water is wet!

I know I shouldn't be so disparaging, and it's nice to have factual confirmation, but I think every middle-, high-school, and college student could have told you that for free. It's something I experienced first-hand at both the secondary and college level of schooling...teachers who empathize with their students, who make their classrooms safe environments and who share their own learning experiences with students, were always the teachers who had the most engaged students, and when students are engaged, they're more eager to learn.

You'd think it'd be a matter of common sense, but then again, perhaps sense isn't all that common.

Strong Chapter 6: The Craft of CRAFT

Ah, Strong. Now there is a man after my own heart. An extended Star Wars reference coupled with practical classroom techniques? And they say all the good men are taken.

Joking aside, I really enjoyed Strong Chapter 6. A lot of complaining you'll here about history classes is the amount of dull work you have to slog through for a grade--I've done my fair share of complaining about history classes too, and now I'm the teacher! I don't want my students to look at an essay prompt the same way I've sometimes looked at essay prompts. Students should know that schoolwork is not inherently the enemy here. Busywork is. And the best way to avoid busywork is by crafting authentic assessments--assessments that allow your students to stretch their critical thinking skills and show them that, yes, you can use this outside of school.

After looking over Strong's examples and reading Cassie's blog (go check out the CRAFTs she made! So cool!), I decided to try for one of my own. Since I blogged so enthusiastically about the Roman Empire in my last entry, let's just keep rolling with the theme:

                                                             Dynamic Dynastic Rule

Context: Gaius Caesar (otherwise known as Caligula) and his sole heir have just been assassinated by the Praetorian Guard. Rome is leaderless, the Praetorians are calling Claudius Emperor, and no one is quite sure whether or not Caligula is actually dead. To keep Rome from anarchy, it's up to you, a humble Senator, to decide whether or not to elect Claudius as Emperor. You can either argue for Claudius or against him, using classroom discussions and textbook reading as evidence for your appeal. Are the Julio-Claudians really the best suited to rule Rome?
Role: You are a Roman senator on the floor of the Senate, about to speak to your colleagues concerning the assassination of Gaius Caesar and the ascension of his uncle Claudius to the throne.
Audience: The Roman Senate
Format: Oral speech
Topic: The unusual means of ascension in the Roman Empire, and whether or not the Julio-Claudian line of emperors can be considered a proper 'dynasty', since not one of the five emperors was a direct descendant of his predecessor. Prepare an oral speech outlining the pros and cons of having a dynastic family rule, and whether or not you would support Claudius on the throne.

This assignment is meant to have students think critically about different systems of government (monarchical, dynastic, democratic, despotic, etc), and how hard it is to change a government system once it becomes deeply entrenched. It also asks them to pick a side and argue it effectively and thoroughly using evidence, a skill history emphasizes usually through essays, as well as improve public speaking skills.

I'll need to construct a rubric, but what do you guys think? Does it fit the CRAFT model, or does it need work? Is it something you'd enjoy doing as a student (be honest!)?

To be honest, I'm a little disappointed that assignments like these don't show up very often in college classrooms either. Reading over the different examples of CRAFT Strong has collected, I got incredibly excited and intrigued about some of the prompts. "A potato chip's journey through the digestive system" sounds much more fun and engaging than "here is your digestive system". Plus, the best learning comes through doing, and I've always found that when I can put information to good use I better retain it.

I have to wonder, though, to what extent should we use these classroom CRAFTs? I think that they'd be excellent if used in moderation, but using assignments like these for every grade might be pushing it. Perhaps a healthy mixture of traditional essay assignments and CRAFT assignments would be best, and better expose students to the idea that there's more than one way to skin a cat (metaphorically!).